THE RR PLAYLIST VOL. IV: THE SUMMER OF SCUZZ

OVER THE LAST FEW WEEKS, Mother Nature (AKA the most basic of bitches) has decided to curl up on her sofa with a big tub of half-price Ben & Jerry's (Cookie Dough, obvs) and not know what to do with her fucking life. It's been sunny. It's been overcast. It's been raining. It's pretty much been humid the whole time, and I just want my summer. This shitty mixed bag of weather is getting ridiculous.
I figured that if Mother Nature is going to be a dick like that, I'll just try and enjoy my summer through other means, and what better way to do that than to make an RR PLAYLIST featuring some of the biggest, grungiest, scuzziest summer bangers on offer across punk, indie, and alt-rock right now.

There's appearances on Volume IV of The RR Playlist from the likes of WEEZER and TURNOVER, plus some old blog favourites like MILK TEETH, RAIN and MUSKETS, but allow me to take you through some of the bands not previously touched upon on the blog, amongst whom you might just find your new favourite band for the (not so) summer holidays.

BLACK FOXXES have made serious strides with their debut album I'm Not Well (which lands this Friday), finally unlocking their potential to throw out massive, distorted and often cathartic rock 'n' roll.

If you're like me and you dig the raw production that I've been smitten for since the day I first heard MC5's Kick Out The James, then WACO will gladly scratch that itch for you. If the joyous background cheers in the bridge on 'Se17' don't want to make you air-punch seven shades of shit out of the sky, then you might as well just call it quits and spend the rest of your miserable existence with Dire Straits' greatest hits.

If you're big into what Drenge were doing on their first album, then NIGHT OWLS are another duo whose distortion-drenched sounds will plough into your ears like a mischievous juggernaut. For those of you that like the hardcore crossover appeal of Turnstile, but would rather swap the Metallica nuances for something a bit cooler and college rock-y, then you'll go head over heels for ANGEL DU$T. I read a review recently which compared them to both Bad Brains and The Lemonheads, and that's about as dead on the money as you can get.

Thanks to spending the first half of the year in full-time education with no income, my festival attendance in 2016 has been below par. When my mum returned from Truck Festival and said that she enjoyed HAPPY ACCIDENTS, I had to do a double take. Check them out if you like the idea of spritely indie-pop with a sharp lyrical twang in the vein of Jamie T. As for MARTHA, I don't much more can be said about them apart from the fact that they are the best band to do a similar sort of thing in the DIY punk scene, and they've made one of the standout records of the year with Blisters In The Pit Of My Heart.

Fans and members of the Brighton punk contingent, on top of Muskets we've also got MURDERHOUSE and FRUITCAKE to fling your way (not in an aggressive way). While Murderhouse emulate the somewhat adorable self-deprecating charm of early Modern Baseball in their ramshackle bedroom-demo punk, Fruitcake are a little bit more frantic with loads of influence from early-early-EARLY blink-182 and a wicked sense of fresh-faced urgency.

Over on the other side of the pond, we have two bands who have the scene eating out of their palms with the enticement of potential in their upcoming records. BEACH SLANG put out one of the most fun-sounding albums of the last few years in 2015, and from the sound of things, they're roaring along the same track of writing songs that are perfect for singing your heart out to after a few too many beers and ill-timed stagedives.

JOYCE MANOR are one of the best bands around right now when it comes to writing short, sharp and frustratingly catchy power-pop songs with great humour in their lyrics and casual ingenuity in their melodies. If the rest of their new record, Cody, is as good as the first track from it, then they are firmly in the running for Album Of The Year.

As we wind down into the last couple of tracks which are perfect for your summer evenings, GRIEVING ease themselves into their debut EP, Demonstrations, with melancholic vibes of 90s emo. 'My Friend, The Ghost' is the most beautifully lackadaisical track they have to offer, before delving in to a spikier pit of alternative rock.

HONOURABLE MENTION goes to EAT ME, whose sounds are not yet on Spotify and therefore cannot be 'officially' included in The RR Playlist. They take that Rivers Cuomo philosophy of writing really simple songs and making them even more effective with undeniably cool guitar licks. Check out 'Melon Enema' below on YouTube because its way too good to ignore for not being on Spotify, and the video is fucking gold:

As ever, if there's a track that you think deserves a place on this playlist, feel free to hmu on Twitter, or on the RR Facebook page.

Episode #004 of BITCHIN' BREW featuring CONNOR P LAWS, co-founder of FAILURE BY DESIGN RECORDS is coming soon. Before then, I'll be giving you a rundown of FBD's finest moments in the first instalment of a new label-based feature on RR called THE NUMBNUTS' GUIDE TO... *INSERT LABEL NAME HERE*

Stay tuned for that, and loads of other cool shit too.

Danny

WHITE-HOT NOISE: SHE CRAZY BRING BEACH VIBES TO BATSHIT ROCK 'N' ROLL ON 'SURFING U.A.E.' (TRACK PREMIERE)

I'll always remember the night Brighton garage-punks SHE CRAZY crashed headfirst into my life. Opening for the absolute dudes in Tied To The Mast at Sticky Mike's Frog Bar (an awesome Brighton spot which you should all go and see a show at) in 2013, they played like they owned the place, dragging a limbo pole out into the audience and changing the sole lyric of their song 'YEAH!' rather appropriately to 'LIMBO!'. Suffice to say, when they do that twice in the same set, it's very hard to get both the song and the scenes out of your head.

Their new single 'SURFING U.A.E.' (which you can stream exclusively on Randon's Reviews by scrolling down) takes their raucous rock 'n' roll style and gives it infectious-as-fuck substance.

Just don't let the title fool you into thinking that this is just a satirical cover of The Beach Boys' summertime class 'Surfin' U.S.A.' - this is far from a homage to Brian Wilson...

"'Surfing U.A.E.' is all about the kind of wild, booze-fuelled madness that often goes down on holiday with your mates: shots, heartbreak and sex (wax)!" jokes singer/guitarist Dan Grace.

"We are about -10% influenced by The Beach Boys - ['Surfin' U.S.A.'] happened 50 years ago, we're just pointing out how times have changed."

From the massive radio-rock (but far from radio friendly) chorus which exemplifies yet another cracking production job from Neil Kennedy at The Ranch Production House in Southampton, this sounds far more polished than anything from She Crazy's self-titled debut EP from last year (which you can download for free on their Bandcamp). However, the unrelenting punk rock finale they cascade into seeks to remind everyone why they're one of the most buzzed-about bands on their circuit.

"We've experimented a lot with our recordings," explains Dan. "Working in different studios with different producers, and trying to find a sound that best reflects what we hear in our own heads and is closest to how we sound live."

"'Surfing U.A.E.' is the first track that we mixed ourselves. We revisited the mix a few times, which probably explains why it's more polished than our previous efforts."

"I don't think we've reached a point yet where we're all 100% satisfied, [but] then that's all part of the fun - Aiming for something you can't reach!"

There's no doubt that 'Surfing U.A.E.' (plus its b-side, 'Do Or Die') will tide you over (arf arf) while She Crazy are working on their second EP. If that's still not enough for you, you can catch their mental live display when they open for Blackhole and Brawlers at The Hope & Ruin in Brighton on Tuesday 7th June, and at a FREE show at The George Tavern in London on Thursday 16th June.

For more details on upcoming shows, go to the band's Facebook page or follow them on Twitter: @damn_shecrazy

FFO: THE WILDHEARTS; THE BRONX; METZ

LIMBO!

Danny

EP REVIEW: SAD BLOOD - 'LEGION OF GLOOM'

I don't know how many times I can say this on Randon's Reviews (or anywhere where I can chat bollocks, for that matter): it is such an exciting time to be in the UK punk scene right now. Whether they're pop-punk-y or grunge-y or alt-rock-y, the multitude of exciting up-and-coming bands stretches far beyond being strictly 'punk' in style or tone.

I would comfortably put SAD BLOOD in the same bracket as some of the spikier-sounding bands of their scene, thanks to their affinity for small DIY tours and house shows, and the fact that they can make a music video simply out of getting drunk and dicking around with puppets (see below for more on that).

Following on from the brief and brilliant debut Ultimate Worrier, the London trio's second EP LEGION OF GLOOM offers another five bursts of bright and breezy power-pop with spells of #relatable emo wistfulness.

You could say that melancholic lyricism is in this band's blood (boom boom). The band have previously spoken to Upset about how Legion Of Gloom soundtracks the process of "trying to create something positive out of something negative", and out of that comes lyrics are honest and humorously self-deprecating (precisely as the band's two EP titles suggest).

As you may have predicted after his sterling job not only on Ultimate Worrier, but also in manning the desk for Milk Teeth, Creeper, Press to MECO, Weatherstate and pretty much any other cool new UK band you can think of, producer Neil Kennedy has done what he does best yet again in preserving the squeaky-clean clarity that hits Sad Blood's anthems home... (Note to self: I really must get him on Bitchin' Brew just so we can chat about how brilliant all of these bands are....)

Legion Of Gloom may be two tracks longer than its predecessor, but oddly little less rhythmic and melodic variation than before. Nevertheless, 'Heavy Petting Zoo' clocks in at just 1:48 and is up there with the best (if fleeting) moments of new British music in 2016. Sad Blood are brimming with potential as a longer body of work surely looms over the coming months.

Throwing you as much jovial charm as it does miffed-out mellowness, Legion Of Gloom is pleasant, inoffensive and, as with most British punk EPs of late, over way too quickly, but infectious enough to loop a few times over. Whether you see them as happy songs for sad people, or sad songs for happy people, be sure to queue this up next to The Hotelier and that certified banger that is the new Moose Blood track for your emo picnic playlists.

TOP TRACKS: 'HEAVY PETTING ZOO'; 'FORMERLY CREATIVE'

RR RATING:

7 / 10

LEGION OF GLOOM IS OUT NOW. STREAM IT ON SOUNDCLOUD BELOW:

Happy people, sad people, drunk people, all people: until next time, peace out.

Danny

WHITE-HOT NOISE: GET YOUR EARS AND HEARTS AROUND CATHARTIC LONDON PUNKS GUILT

Sometimes I feel a little bad that while I'm coming up with so many cool ideas for the blog, I rarely have the time to bring them to fruition. I figured the other day that I don't need to write an essay with every post - much like when you share something on Facebook or Twitter, I kind of want to 'let the music do the talking', for want of a less wanky phrase, and even if I'm not premiering the track on this blog, use the 'White-Hot Noise' handle to share my favourite new sounds.

Here's something I thought I'd share today after it dropped via Noisey yesterday: GUILT are a hot-off-the-press punk band (I'm going all in on the cheesy phrases with this one, aren't I?) from London, and their debut track 'EVERBLUE' is a massive, swaggering, sprawling, shoegazey slice of devastatingly emotional post-hardcore.

Fuelled by a backlog of bad luck and low points in life, this five-piece bristle with punk spite and (as is the case with all of the great noises coming from the punk-shoegaze crossover scene at the moment) agonising catharsis. Then, when you put them in a studio with Neil Kennedy, the guy behind most of the greatest underground UK releases of the last couple of years, you get something extremely promising.

You can stream 'Everblue' on the band's Soundcloud page now, but what you really want to do is click HERE to buy the track - it's just £1, it comes with a wicked B-side and all proceeds are going to the mental health charity CALM - a strong cause to help men step back from the cliff-edge of suicide.

FFO: TITLE FIGHT; GRADER; THRICE'S SLOWER JAMS

Other cool things are coming soon, pinky swear.

Danny